Absurd Soundart a multistyle sound conseptualist, or nonsensualist largely engaged in experimental electronic soundscapes, multilingual spoken words narratives and breaking the fourth wall sound tricks.

In a way contrary to the trend of accompanying any piece of music with visuals, Absurd Soundart tends to prove an exciting priority of subconcious imagination that only sounds can evoke. Big fan of analog synthesisers; granular effect-processors, noise, glitch and prepared instruments artefacts, Absurd Soundart develops rich – thrilling to hypnotic – soundscapes aiming to deliver surrealistic yet figurative experience solely throughout ears. Some of the art-works can be noticed for their uncertain yet thrilling psychosexual sound-spirit.

Absurd Soundart cultural antropocentric concept accentuates vocal various languages, ages, genders, accents, synthesised and artificially mutated voices diversity. The latter is a research idea of ​​anthropogenic verbal phenomena in contemporary music where spoken words, laughs, interjections, breathing, exclamations – verbal expressions of all sorts, may be seen as a replacement to a traditional singing due to it's funny tonal, rhythmic and rhyming potential.

Absurd Soundart can also be described as scratched side B of Xenia Ferz primarily (un)known as cultural antropologist, lifestyle influencer and journalist. Taking in account her cultural education and lifestyle media background this sound-art project is sort of an abstract summery of the logocentric living. Most of the releases may be taken as an electronic essay or an abstract digest of some cultural phenomena or can be taken as an ode to a certain historically important figure or piece of art.